Reaching and Teaching All Instrumental Music Students, 2nd Edition Review

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Reaching and Teaching All Instrumental Music Students, 2nd Edition ReviewFinally! A book that addresses many of the critical, real-world challenges instrumental music directors face. Drawing from research-based approaches, practical advice is offered that you can begin using right away in your classroom. Some of the topics covered are: recruiting; retention; maximizing limited rehearsal time; drawing support from administrators, parents, and the greater community; diverse learning styles; exceptional learners; introducing notation; and practical improvisation and composition activities that strengthen performance goals. You won't find information on these topics in many other books. Highly recommended!!!
Reaching and Teaching All Instrumental Music Students, 2nd Edition OverviewReaching and Teaching All Instrumental Music Students draws from credible research and established approaches to offer practical applications for the variety of music classrooms teachers face today, many of which are not ideal. Kevin Mixon shares successful techniques for recruiting and retention, garnering program support, teaching for diverse learning styles and exceptional students, classroom management, and teaching notation, composition, and improvisation. This expanded second edition adds practical advice on reading rhythm notation, teacher feedback, home visits, community building, and establishing positive relationships-with even the most challenging students. Mixon demonstrates that fostering respect and going the extra mile are rewarding for students, parents, and teachers alike.

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The Great Composer As Student and Teacher: Theory and Practice of Composition Review

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The Great Composer As Student and Teacher: Theory and Practice of Composition ReviewThis is only for serious music composition buffs. There is a fair minimum of explanation, just enough to tie it together. You get to look at how Haydn, Handel and Mozart taught, how Mozart learned counterpoint from Padre Martini, and at Beethoven's study book in which he compiled his species counterpoint exercises (reproduced in facsimile, henscratch and all.) You could spend a couple of years doing the figured bass exercises that Handel set for Princess Anne of England. You had better read music well. Highly recommended to musicians; non-musicians, forget about it, you won't understand a word.The Great Composer As Student and Teacher: Theory and Practice of Composition Overview

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